Two Part Invention No. 14 - Partitions musicales à imprimer

22 partitions trouvées

Bach: Two-Part Invention No.14 in B flat Major BWV 785 (music analysis)

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.1247796 Composed by Johann Sebastia…(+)

$3.00 2.8 € #Piano seul #Johann Sebastian Bach #Masakazu YAMAMOTO #Bach: Two-Part Invention No.14 in B flat Major BWV 785 #Motch Music #SheetMusicPlus

2-Part Invention No. 14 in Bb major by J.S. BACH, BWV 785 for Solo Piano

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.790136 Composed by Johann Sebastian…(+)

$2.99 2.79 € #Piano seul #Johann Sebastian Bach #Diamond S Music #2-Part Invention No. 14 in Bb major by J.S. BACH, BWV 785 for Solo Piano #Diamond S Music #SheetMusicPlus

Two-Part Invention No. 14

2 Clarinettes (duo)

Instrumental Duet B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 4 - Digital Down…(+)

$6.00 5.6 € #2 Clarinettes (duo) #Johann Sebastian Bach #Lori Archer Sutherland #Two-Part Invention No. 14 #Lori Archer Sutherland #SheetMusicPlus

Two Part Invention No.14

2 Tubas (duo)

Instrumental Duet Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.993747(+)

$10.00 9.33 € #2 Tubas (duo) #Johann Sebastian Bach #Alan K #Two Part Invention No.14 #Alan K. Parks #SheetMusicPlus

Invention No. 14, Bb Major for piano solo

Piano seul

Piano Solo - Level 4 - Digital Download SKU: A0.1131929 Composed by Johann Sebastia…(+)

$2.50 2.33 € #Piano seul #Johann Sebastian Bach #Klas Krantz #Invention No. 14, Bb Major for piano solo #Amadeus Music #SheetMusicPlus

Invention No. 14 for guitar duo

2 Guitares (duo)

Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.532444(+)

$3.95 3.68 € #2 Guitares (duo) #Johann Sebastian Bach #Klas Krantz #Invention No. 14 for guitar duo #Amadeus Music #SheetMusicPlus

Invention No. 14, Bb Major for violin and cello

Violon, Violoncelle (duo)

Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1…(+)

$3.95 3.68 € #Violon, Violoncelle (duo) #Johann Sebastian Bach #Klas Krantz #Invention No. 14, Bb Major for violin and cello #Amadeus Music #SheetMusicPlus

Invention No. 2 in D minor for three voices

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padge…(+)

$3.99 3.72 € #Piano seul #Robert W #Invention No. 2 in D minor for three voices #Padgett Music Llc #SheetMusicPlus

Two Part Invention No. 14

Marimba

By Johann Sebastian Bach (1685-1750). Arranged by Harry Marvin, Jr.. 2 players. For 2 mari…(+)

$1.99 1.86 € #Marimba #Johann Sebastian Bach #Harry Marvin, Jr #Two Part Invention No. 14 #HaMaR Percussion - Digital #SheetMusicPlus

Two Part Invention No. 14, BWV 785 by Willard Palmer - Piano Solo

Piano seul

Sheet Music for Two Part Invention No. 14, BWV 785 by Willard Palmer arranged for Instrume…(+)

$5.99 5.59 € #Piano seul #Piano Solo #Musicnotes

Two Part Invention No. 14, BWV 785 by Johann Sebastian Bach - Piano Solo

Piano seul

Johann Sebastian Bach - Two Part Invention No. 14, BWV 785 Musicnotes Edition - instantly …(+)

$4.99 4.65 € #Piano seul #Piano Solo #Musicnotes

J.S.Bach:Two-Part Invention No.14

Piano seul

Piano Solo - Level 1 - Digital Download SKU: A0.975387 Composed by Johann Sebastian…(+)

$1.99 1.86 € #Piano seul #Johann Sebastian Bach #J.S.Bach:Two-Part Invention No.14 #Schuwenn Z. #SheetMusicPlus

Sinfonia No.14 BWV.800 for Two Violins & Viola

Violon, Alto (duo)

Instrumental Duet Instrumental Duet,Viola,Violin - Digital Download SKU: A0.777883 …(+)

$6.00 5.6 € #Violon, Alto (duo) #Johann Sebastian Bach #Mikio Kamada #Sinfonia No.14 BWV.800 for Two Violins & Viola #ACORDO Sheet Music #SheetMusicPlus

Sinfonia No.14 BWV.800 for Two Violins & Violoncello

Violon, Violoncelle (duo)

Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.777882 …(+)

$6.00 5.6 € #Violon, Violoncelle (duo) #Johann Sebastian Bach #Mikio Kamada #Sinfonia No.14 BWV.800 for Two Violins & Violoncello #ACORDO Sheet Music #SheetMusicPlus

Chiquitita by Phillip Keveren - Piano Solo

Piano seul

Performed by: Phillip Keveren: Chiquitita - (incorporating J.S. Bach's Two-Part Inven…(+)

$5.50 5.13 € #Piano seul #Phillip Keveren #Piano Solo #Musicnotes

Two-Part Invention No. 14

Piano seul

By Johann Sebastian Bach. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sh…(+)

$4.99 4.65 € #Piano seul #Johann Sebastian Bach #Two-Part Invention No. 14 #Hal Leonard - Digital Sheet Music #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed …(+)

$15.00 13.99 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark OâConnor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark OâConnor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600âs, and eventually traveled down the Appalachians to settle in the South in the early 1800âs. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2007 Composed By Mark OâConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.âs 2 & 3 OMAC RecordsRecorded by Mark OâConnor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark OâConnor Music InternationalFor more information on violinist and composer Mark O'Connor, OâConnor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the OâConnor Method â instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.99 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark OâConnor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark OâConnor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600âs, and eventually traveled down the Appalachians to settle in the South in the early 1800âs. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2007 Composed By Mark OâConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.âs 2 & 3 OMAC RecordsRecorded by Mark OâConnor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark OâConnor Music InternationalFor more information on violinist and composer Mark O'Connor, OâConnor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the OâConnor Method â instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.99 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark OâConnor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark OâConnor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600âs, and eventually traveled down the Appalachians to settle in the South in the early 1800âs. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2007 Composed By Mark OâConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.âs 2 & 3 OMAC RecordsRecorded by Mark OâConnor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark OâConnor Music InternationalFor more information on violinist and composer Mark O'Connor, OâConnor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the OâConnor Method â instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.99 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark OâConnor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

Nineteen Skeletal Duets for Trombones
2 Trombones (duo)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together. 1. Cranium This duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes. 2. Stirrup This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos a common choice for all of the duets. 3. Humerus This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. 4. Vertebra This is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet. 5. Axis Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials. 6. Tibia This duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important. 7. Clavicle The key of A for this duet provides variation for the students. 8. Fibula nd This duet uses the easiest of rhythms and range, especially for the 2 9. Scapula This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before. 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone. (student) part. 11. Radius This duet is in a Medium Swing jazz style. Each part has a chance to play a little bit of a walking bass line. Articulations and manipulation of swing rhythms are important in this duet. 12. Femur This duet works on double time and half time tempo changes. 13. Patella This is another duet that includes graphic notation. In this duet Free rapid legato lines are used. 14. Anvil This gallop displays different types of articulation. 15. Hammer This duet is in the style of a fanfare. 16. Rib This duet is a melody, Magallon Blues, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option. 17. Sacrum This duet is a short arrangement of Mozarts Eine Kleine Nachtmusic. 18. Ulna This duet is a short arrangement of the traditional Irish folk song Londonderry Air, more commonly known as Danny Boy. 19. Ilium This duet is a short arrangement of the Beethovens song Ode to Joy which represents the triumph of universal brotherhood against war and desperation. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 18.66 € #2 Trombones (duo) #Gregory Fritze #Nineteen Skeletal Duets for Trombones #Musica Nova USA #SheetMusicPlus

Fifteen Safari Duets for Tubas
2 Tubas (duo)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument. In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc Tuba Safari (Troy 1173) on Albany Records. 1. Elephants at Stave This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time. 2. Gallop Thompson Gazelle at Amboseli This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. 3. Rhinos at Nairobi Game Park This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama. 4. Giraffes at Nairobi Twiga Park This is in a rock style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues. 5. Warthogs at Ngulia Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run. 6. Baboons at Kiliguni This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists tables. They will work together where one causes a diversion while the others steal. 7. Pastoral Cape Buffalo at Samburu The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole. 8. Song - Hippos at Mzima Springs This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt. 9. Leopards at Kimana Lodge This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. 10. Colobus Monkeys at the Ark This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. 11. Zebra Migration at Masai Mara This duet is in a Medium Swing jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide. 12. Ostrich at Samburu This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat. 13. Cheetah at Voi This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly. 14. Gallop Gerenuk at Buffalo Springs This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees. 15. Lions at Mara Sopa This duet is in the style of a fanfare. The lion is considered the king of the savanna. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 18.66 € #2 Tubas (duo) #Gregory Fritze #Fifteen Safari Duets for Tubas # Musica Nova USA #SheetMusicPlus

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